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Out of 464prints examined so far, 193 are on paper with a watermark.

Created on 2 March 1934, plate 81 from the Vollard Suite, etching on laid Montval paper, with the Vollard watermark, from the edition of 260, printed by Larcouriere, Paris. Bloch 217, Baer 421.

Created on 4 November 1934, plate 95 from the Vollard Suite, etching on large format Montval paper with the Picasso and Galatea watermark. Signed in pencil "Picasso" (lower right), edition of 260. Printed by Lacouriere, Paris. Bloch 224, Baer/Geiser 436.

Watermarks first appeared in paper around 1282 and are stillappearing.

A paper print from the 1500s or 1600s has to be on laid paper.

You should find an example of woven paper and an example of wove paper to compare them together.

From this point the paper is either machine or handmade.
Machine paper is run over a bed of wire mesh, becoming one of two types of paper:
• Wove—Formed when the wire mesh is uniform, similar to window screening.
• Laid—Formed if there are thicker wires parallel in only one direction, spaced farther apart than the mesh.

General Research Material Articles by Gravell including a bibliography on papermaking and articles describing his Dylux method for reproducing watermarks, and secondary source material used by Gravell over the course of his research.

Laid Paper| CLASSIC Laid® Papers | Neenah Paper

Series IV.3 Miscellaneous Slides c.1500-1838 Approximately 260 watermark slides that Gravell was unable to identify in terms of the country of origin, the paper maker or the paper mill.

After pressing, the paper sheets were hung to dry on ropes woven from cow or horse hair.

Created on 27 February 1965, aquatint, etching and drypoint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable
Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1187, Baer 1156.

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It is laid paper with a texture and surface just ..


Whatman made laid texture paper with watermark …

Created on 8 February 1964 IV, aquatint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1183, Baer 1152.

Laid paper is made by the paper pulp being poured into a mold ..

Created on 8 February 1964 III, aquatint and drypoint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1188, Baer 1157.

the wove paper without watermarks used in a British ..

Created on 1 March 1965 III, aquatint, etching and drypoint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York.
Bloch 1185, Baer 1154.

Laid and Wove Paper – Ivybridge Heritage

Created on 8 February 1964 I, aquatint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1184, Baer 1153.

Tervakoski (Finland) | Paper watermarks | Pinterest

Created on 8 February 1964 II, aquatint and drypoint on Rives wove paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1186, Baer 1155.

A good later impression on laid paper with an Augsburg watermark

American Watermarks, 1690-1835 This series consists of the manuscript and watermark photographs from Gravell's A Catalogue of American Watermarks, 1690-1835, as well as material used by Gravell in the compilation of his catalog, including the slides and identification cards, his research notes on papermakers, papermills, paper merchants, paper molds, bank molds, and secondary sources, and approximately 50 slides that were not included in the book.

Stamp Paper And Watermarks - Stamps - BellaOnline

Created on 10 March 1965 VI, aquatint, etching and drypoint on Rives BFK paper with watermark LB, signed in pencil on the justification, copy 12 of 15 (a chapelle copy, the edition was 255), from Pierre Reverdy, Sable Mouvant, from the portfolio published by Louis Broder, Paris, 1966. In the collection of MOMA, New York. Bloch 1189, Baer 1158.

ARCHIVE OF WATERMARKS AND PAPERS IN GREEK MANUSCRIPTS

Created in 1927, etching on wove paper. Plate 9 out of 13 original etchings, from Le Chef-d’oeuvre inconnu, from the total portfolio edition of 340, published/printed by Ambroise Vollard/Louis Fort, Paris, 1931. In the collection of MOMA, New York. Bloch 90, Baer 131.

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