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The Puttermesser papers by Cynthia Ozick | LibraryThing

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THE PUTTERMESSER PAPERS by Cynthia Ozick | Kirkus …

The Puttermesser Papers: Cynthia Ozick: …

"""The Puttermesser Papers"" author" crossword clue

Not sure about inspiring. Obsessive might be a more apt description. But still, the mind has blind spots. We never catch it all. Unless we’re reading someone else’s book of course. :-)

Absolutely true, we all need a copy editor. I’ve been a copy editor for over 15 years and I wouldn’t dream of sending my writing out until a copy editor has hit it thoroughly. As an author, there’s no way I can see my mistakes or inconsistencies, and I do spend a lot of time line editing my own work first. And still, I’m amazed at what I’ve missed, even with my highly trained eye on the page. I hire a content editor for my novels and it always pays off in tighter plots and cleaner character development. Then at final I have a copy editor hit it. After those changes are done, I have a proofreader catch every detail. So that ends up being three sets of eyes on it. This is as close as you can get to 100% accuracy for any manuscript.

The Puttermesser Papers Books by 回 Cynthia Ozick

Thank you, Ariel, for covering this subject not often discussed. I am fortunate to have had a wonderful experience with my copy editor on my latest book. Her “hawk eyes” picked up little creatures I could not see. :) It is nice, too, when an author can have a good relationship with his/her copy editor. I always knew she had my best interests at heart and wanted to make my book the best it could be. I don’t know how writers survive without copy editors!
Thanks again for a great post.

The Puttermesser Papers by Cynthia Ozick - Fantastic Fiction

Ariel Lawhon is co-founder of the popular online book club, She Reads, and she’s a novelist, blogger, and life-long reader. She lives in the rolling hills outside Nashville, Tennessee, with her husband and four young sons (aka The Wild Rumpus). Ariel believes that Story is the shortest distance to the human heart.

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The Puttermesser Papers: A Novel - Jewish Book Council

Today’s post is by , the author of THE WIFE, THE MAID, AND THE MISTRESS (Doubleday), a reimagining of a scandalous mystery that rocked the nation in 1930—Justice Joseph Crater’s infamous disappearance—as seen through the eyes of the three women who knew him best.

The Puttermesser Papers | Guardian Bookshop

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The Good Wife finale: 9 books to read now that it's over

Copy edits were the one part of the editorial process that most caught me by surprise. I knew they were coming. And I knew they would be tedious. But I was not prepared for the amount of work involved. Of my 412-page manuscript only one page remained unmarked. The fact that I write historical fiction exacerbated this problem. Not only was my copy editor looking for typical grammar issues, repetitive phrases, and gaps in consistency, she followed up on every single historical detail. Dates. Times. Events. People. Locations. Among other things I had to verify that in 1930 August 17th fell on a Monday (it didn’t, and I had to change the date for that scene), the Globe Theater in Atlantic City had a drinking fountain (it did), and that over seven hundred buildings in Manhattan were under construction (also true). Everything was double-checked.

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Prepare in Advance. Every novelist I know performs research of some kind. It doesn’t matter whether you write historical, medical thrillers, science fiction, psychological dramas, or any other genre. We all research. We scour libraries and Google documents. We pour over maps and blueprints. We interview relatives and eyewitnesses. And the easiest way to save time and sanity once a manuscript gets to the copy edit stage is to have this information accessible. One option is to keep your physical research organized and within reach until your book goes to press. Another is to use the footnote option in Microsoft Word every time you include research in your manuscript. (I prefer this option since it saves a great deal of time and desk space) Your copy editor follow up on your research, and planning ahead will save hours, if not days, during this stage of the editing process.

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Games between humans and AIs | SpringerLink

That said, a copy editor’s job is to edit your manuscript. She shouldn’t make suggestions on plot or character development or narrative. We’ve all heard the horror stories of an over-zealous copy editor who rewrites portions of a manuscript or critiques the writing. Your copy editor should not do this. But if it happens to you, feel free to use STET—an editorial notation in the margins that means, “let it stand.”

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Cynthia Ozick's books inlcude What Henry James Knew, Portrait of the Artist as a Bad Character and The Shawl. Her essays, novels and short stories have won numerous prizes and awards, including the American Academy of Arts and Letters Straus Living Award, four O. Henry First Prizes, the Rea Award for the Short Story, and a Guggenheim Fellowship. She lives near New York City.

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